This work provides a unique, philosophical interpretation of a significant twentieth-century painter - Wassily Kandinsky. Michel Henry was one of the leading French philosophers of the twentieth century. His numerous works of philosophy are all organized around the theme of life. In contrast to the scientific understanding of life as a biological process, Henry's philosophy develops a conception of life as an immediate feeling of one's own living. "Seeing the Invisible" marks Henry's most sustained engagement in the field of aesthetics. Through an analysis of the life and works of Wassily Kandinsky, Henry uncovers the philosophical significance of Kandinsky's revolution in painting: that abstract art reveals the invisible essence of life.Henry shows that Kandinsky separates colour and line from the constraints of visible form and, in so doing, conveys the invisible intensity of life - a force rooted in the corporeity and pathos of all living beings. More than just a study of art history, this book presents Kandinsky as an artist who is engaged in the project of painting the invisible and thus offers invaluable methodological clues for Henry's own phenomenology of the invisible.
"Michel Henry's work consistently re-imagines the means through which life incarnates or makes manifest to itself the very essence of its being. In Seeing the Invisible Henry extends his philosophy, as material phenomenology, to the aesthetic, reappraising abstract art in terms of affectivity, emotional life and the essential communication that takes place between the community and the artwork at the level of sensibility. Scott Davidson's clear and timely translation provides the reader with both a revolutionary take on twentieth century art and a gateway into the thought of one of the leading French philosophers of the past fifty years." -- Dr Michael O'Sullivan, The Chinese University of Hong Kong
Michel Henry (1922-2002) was a leading French philosopher and novelist. Scott Davidson is Associate Professor and Chair of the Philosophy Department at Oklahoma City University, USA.
Translator's Preface; Introduction; Internal/External: The Invisible and the Visible; The Meaning of 'Abstract' in the Expression 'Abstract Painting'; Form; Pure Pictorial Form; Abstract Form: The Theory of Elements; The Disclosure of Pictoriality; Point; Line; The Picture Plane; The Unity of the Elements; Invisible Colors; Forms and Colors; Difficulties Concerning the Unity of Colors and Forms; Composition; Monumental Art; Music and Painting; The Essence of Art; All Painting is Abstract; Art and the Cosmos; Index.